NCDA Junior High Tryout Material
SET 1 |
SET 2 |
SET 3 |
| 2008-2009 2011-2012 |
2009-2010 2012-2013 |
2010-2011 2013-2014 |
Click here to download scale sheet
A short sight-reading etude will be heard in each audition.
| FLUTE, Rubank Advanced Method, Vol. 1 | ||
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SET 2 |
SET 3 |
| p. 24-25, #6, quarter = 108 p. 38-39, #18, quarter = 104 p. 49, #8, quarter = 132 |
p. 25-26, #7, quarter = 116 p. 36, #16, quarter = 120 p. 71, 1st 7 lines + 1 note, quarter = 72 |
p. 28-29, #10 (top line), quarter = 100 p. 34-35, #14 (top line), quarter = 108 p. 35, #15 (top line), quarter = 60-72 |
| OBOE, Rubank Advanced Method, Vol. 1 | ||
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SET 3 |
p. 26-27, #9, quarter = 108 p. 29, #11, quarter = 96 p. 46, #7, quarter = 72 |
p. 25 , #7, quarter = 108 p. 36 (only), #20, quarter = 88 p. 47, #9, quarter = 66 |
p. 28, #10 (top line), quarter = 76 p. 30, #12 (6 lines, 3 meas.), quarter = 66 p. 49, #16, eighth = 120-132 |
| BASSOON, Rubank Advanced Method, Vol. 1 | ||
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SET 3 |
p. 25, #10, quarter = 108 p. 46, #13, quarter = 112 p. 46, #14, quarter = 120 |
p. 27, #12, quarter = 120 p. 32, #18, quarter = 96 p. 47, #16, quarter = 116 |
p. 44, #10, eighth = 144 p. 45, #12, eighth = 88 p. 36, #21, quarter = 54-60 |
| CLARINET, Rubank Advanced Method, Vol. 1 | ||
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SET 2 |
SET 3 |
p. 37, #16 (top line), quarter = 112-132 p. 40, #18 (top line), quarter = 68-72 p. 53, #15, dotted quarter = 68-72 |
p. 42, #19, quarter note = 54 p. 33, #12 (top line), dotted quarter =40-52 p. 43, #20 (top line), quarter = 72-88 |
p. 54, #17, quarter = 88-112 p. 32, #11 (top line), eighth = 72-88 p. 52, #11, quarter = 96-108 |
| LOW CLARINETS, Introducing the Alto and Bass Clarinet | ||
SET 1 |
SET 2 |
SET 3 |
p. 19, #1, quarter = 128 p. 34, #5, quarter = 80 p. 38, #4, eighth = 76 |
p. 14, #6, quarter = 126 p. 19, #2, quarter = 72 p. 32, #5, dotted half = 76 |
p. 14, #5, quarter = 120 p. 36, #5, quarter = 72 p. 39, #7, dotted quarter = 60 |
| SAXOPHONE, Rubank Advanced Method, Vol. 1 | ||
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SET 3 |
p. 33, #16, dotted quarter = 84-92 p. 49, #16 w/grace notes, eighth = 172 p. 50, #18, quarter = 96-120 |
p. 35, #18, quarter = 96-112 p. 40, #23(stop at trio), quarter = 88-96 p. 26, #8, quarter = 104 |
p. 28, #10, quarter = 76 (top line) p. 50-51, #20, dotted quarter = 80 p. 49, #15, quarter = 88 |
| CORNET/TRUMPET, Rubank Advanced Method, Vol. 1 | ||
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SET 2 |
SET 3 |
p. 38-39, #22, quarter = 144-152 p. 54, #25, quarter = 76 p. 53, #23, quarter = 120-132 |
p. 27, #12, quarter = 76 p. 47, #7, quarter = 92-108 p. 35, # 19, eighth = 84 |
p.26, #11, 120-132 p. 47, #6, quarter = 80-92 p. 49, #12, dotted quarter = 92-100 |
| FRENCH HORN, Rubank Advanced Method, Vol. 1 | ||
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SET 3 |
p. 38, #23, half = 90-100 p. 47, #2, dotted half = 42-50 p. 54-55, #22, dotted quarter = 40-50 |
p. 53, #19, dotted quarter = 34-44 p. 48, #4, quarter = 76-94 p. 49, #9, quarter = 80 |
p. 37, #22, eighth = 74-84 p. 50, #11, quarter = 94-108 p. 53, #18, dotted quarter = 78-90 |
| TROMBONE, Rubank Advanced Method, Vol. 1 | ||
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SET 2 |
SET 3 |
p. 35, #19, eighth = 84 p. 58, #25, quarter = 96 p. 10, #18, quarter = 96 |
p. 38, #20A, half = 100 (cut time) p. 53, #14, eighth = 132 p. 28, #12, dotted quarter = 76 |
p. 46, #25A, quarter = 96 (top line) p. 54, #15, dotted quarter = 60 p 27, #11 (top line), quarter = 112 |
| EUPHONIUM (TC), Rubank Advanced Method, Vol. 1 (Trpt) | ||
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SET 2 |
SET 3 |
p. 25, #10, quarter = 120-132 p. 50, #15, eighth = 108-120 p. 52, #21, quarter = 72-80 |
p. 38-39, #22, quarter = 120-128 p. 49, #12, dotted quarter = 88-96 p, 35, #19, eigth = 84 |
p. 26, #11, quarter = 104-112 p. 27, #12, dotted quarter = 72-84 p. 50, #13, quarter = 80-88 |
| EUPHONIUM (BC), Rubank Advanced Method, Vol. 1 | ||
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SET 2 |
SET 3 |
p. 26, #10, quarter = 120-132 p. 54, #15, eighth = 108-120 p. 56, #21, quarter = 72-80 |
p. 40-41, #22, quarter = 120-128 p. 53, #12, dotted quarter = 88-96 p, 35, #19, eigth = 84 |
p. 27, #11, quarter = 104-112 (top line) p. 28, #12, dotted quarter = 72-84 (top line) p. 53, #13, quarter = 80-88 |
| TUBA - Bass Clef, Rubank Advanced Method, Vol. 1 | ||
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SET 2 |
SET 3 |
p. 29, #7, quarter = 108 p. 38, #23, dotted quarter = 84 p. 50, #16, quarter = 72 |
p. 32 (only), #13, dotted quarter = 100 p. 53, #23, quarter = 76 p. 29, #6, quarter = 72 |
p. 32, #12, quarter = 100 p. 47, #6, quarter = 76 p. 34, #16, quarter = 88 |
| PERCUSSION 1 | Musical Studies for the Intermediate Snare Drummer, Portraits in Rhythm, Fundamental Studies for Mallets, Musical Studies for the Intermediate Timpanist | |
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SET 2
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SET 3
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Snare, Cirone book #25 Timpani, pg. 7, first 6 lines Keyboard - pg. 24, "March" |
Snare, Cirone book, #39 Timpani, pg. 11, first 4.5 lines Keyboard, p. 30, "Polonaise" |
Snare, Cirone book, #50 Timpani, pg. 8, first 6.5 lines Keyboard, pg. 33, "Andante", 1st 3 lines |
| PERCUSSION 2 | Musical Studies for the Intermediate Snare Drummer, Portraits in Rhythm, Fundamental Studies for Mallets, Musical Studies for the Intermediate Timpanist | |
SET 1
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SET 2
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SET 3
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Keyboard, pg. 32, "Sonatina" Timpani, pg. 7, first 6 lines Snare, Whaley book, p. 27 |
Keyboard, p. 36, "Prelude #2 " Timpani, pg. 11, first 4.5 lines Snare, Whaley book, pg. 26 |
Keyboard, pg. 37 Timpani, pg. 8, first 6.5 lines Snare, Whaley book, pg. 25 |
| PERCUSSION 3 | Musical Studies for the Intermediate Snare Drummer, Portraits in Rhythm, Fundamental Studies for Mallets, Musical Studies for the Intermediate Timpanist | |
SET 1
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SET 2
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SET 3
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Timpani, pg. 43 Keyboard, pg. 24, "March" Snare, Whaley book, pg. 27 |
Timpani, pg. 40 Keyboard, pg. 30, "Polonaise" Snare, Whaley book, pg. 26 |
Timpani, pg. 34 Keyboard, pg. 33, "Andante", 1st 3 lines Snare, Whaley book, pg. 25 |